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Japonisme: Cultural Crossings Between Japan and the West, by Lionel Lambourne
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Coined by a French art critic in 1876, the term Japonisme was used to describe the craze for all things Japanese. Van Gogh copied Ukiyo-e prints, and art nouveau potters introduced flowing, organic themes, first seen in Japanese ceramics. This book presents a broad survey of the West's extraordinary love affair with Japan, beginning with the first contacts in the sixteenth century, and culminating in the artistic frenzy that swept Europe and America in the second half of the nineteenth century. For the first time, Lionel Lambourne also uncovers the countercurrent of Western influence on Japan. The book reviews not only the fine and the decorative arts but also interior decoration, costume and fashion accessories, literature and the theatre, travel, and gardens and plants
- Sales Rank: #2453666 in Books
- Brand: Brand: PHAIDON
- Published on: 2005-05-01
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 1.25" w x 10.25" l, 4.07 pounds
- Binding: Hardcover
- 240 pages
- Used Book in Good Condition
Review
'Beautiful and revelatory...a celebration of the West's love affair with Japan and that country's reciprocal interest in the West...sumptuous illustrations.' (Metro, London) 'The perfect introduction to a fascinating and visually stimulating subject.' (Frank Whitford, Art Quarterly) 'A gorgeously illustrated account of an ongoing - and extraordinarily fruitful - affair between Japan and the West.' (V&A (Victoria & Albert Museum) magazine) 'A fluent and engaging narrative...With his inimitable style and his rich store of well-chosen anecdotes, the author brings the personalities to life, and conveys a vivid impression of the enthusiasm that Japonisme generated...With its lively text full of human interest and closely supported by a wealth of beautiful illustrations, Japonisme will provide the perfect introduction to this popular subject for the widest possible audience, and will also be a valuable reference source for teachers and students.' (The Good Read)
About the Author
Lionel Lambourne was head of paintings at the Victoria and Albert Museum, London, from 1986-1993. He has traveled widely as curator of exhibitions in Britain, Germany and Japan, and has had a long-standing interest in the dialogue between Japan and the West. His books include The Aesthetic Movement (1996) and Victorian Painting (1999), both published by Phaidon.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
beautiful book, great price
5 of 5 people found the following review helpful.
Much More Than A "Coffee Table" Book
By Theseus
This book is a visual and intellectual treat.
Japonisme -- aka Japonism aka Anglo-Japanese -- is the influence of Japanese arts on the West and, in turn, the influence of Western arts (and Western buying tastes!) on Japan.
This cultural exchange was particularly rich after the re-opening of Japan to foreign ships in 1848.
Japonisme was, argues author Lambourne, spearheaded by the French who were particularly taken by Japanese print art of the ukiyo-e tradition. And some of the large names in the "fine" art of painting who were inspired by the Japanese include Bonnard, Mucha, Bearedsley, Klimt, Toulouse-Lautrec, Cassatt, Degas, Renoir, Whistler, Monet and later figures such as Van Gogh.
But here's the thing. "Japonomania" was not simply a "high" aesthetic movement, but an all-encompassing popular trend that swept Europe and North America via ceramics, decorative objects, clothing, theatre, graphic design, furniture, novels, landscape and garden design, and practical objects -- fans, parasols, combs...
As you might imagine, Phaidon has produced a large, lavish, well-illustrated book here. However scholar and author Lambourne provides a fascinating, probing, inclusive text that discusses both the arts and the out-sized individuals who were involved in this movement. The book includes chapters on "The Novel, The Stage, and The Opera," "Visitors to Japan: Dream and Reality," and "Symbolism and the Grotesque."
The best praise I can lavish on this book is that the text informs the illustrations and the illustrations inform the text.
Large format hardback: cloth over boards with a sewn binding; color illustrations throughout; released with dustjacket; bibliography; index.
22 of 27 people found the following review helpful.
A look behind the sreen of Japan
By Denise
Wow! It took me six months to complete reading this book. Not because it is boring, but because there is so much information to just mentally digest! But what a fascinating journey. Our cultures are intrigued by each other and have affected each other for over 200 years. The book explores that intrigue, often fraught with misunderstandings, but infatuation is never far behind. Look at all the soldiers from WWII who came home with Japanese brides. Another interesting parallel is the nature of commerce between the East and the West. The Japanese and American businessmen have both much in common and widely different ways of commerce. The artistic fascination of both cultures for each other's is also covered and is enlightening to say the least. While post-war Japan sought the shiny cars, the Elvis hair and all that was coolly iconic American, we turned a wistful eye to the quickly disappearing 'old' Japan of pristine gardens, village basket makers, tea houses, the geisha life, the floating landscapes, calligraphy masters, a pond full of priceless koi simply valued for their serene beauty. Has it all been traded in for cars and high-rises? For cheap but fabulous electronics? For designer bags and pop music? Time will tell, but this wonderful book will give you true insight to the collective mind of both the East and West.
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