Jumat, 27 Maret 2015

[Q620.Ebook] Ebook Free Illidan: World of Warcraft, by William King

Ebook Free Illidan: World of Warcraft, by William King

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Illidan: World of Warcraft, by William King

Illidan: World of Warcraft, by William King



Illidan: World of Warcraft, by William King

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Illidan: World of Warcraft, by William King

Behind the legend stands a being hungry for justice and vengeance as the adventure, intrigue, and heroism of World of Warcraft, the global phenomenon, rise to a new level.

You are not prepared.
 
Illidan Stormrage is one of the most powerful beings ever to walk the lands of Azeroth. He is also one of the least understood. Behind his legend, beneath his enigmatic mission, lies a brilliant mind whose machinations are comprehended by few—and trusted by even fewer. Illidan’s righteous reign of justice and vengeance has begun.
 
Long ago, the night elf sorcerer Illidan infiltrated the demonic Burning Legion to ward off its invasion of Azeroth. Instead of hailing him as a hero, his own kind branded him the Betrayer, questioning his intentions after he appeared to aid the demon lords. For ten thousand years, he languished in prison—vilified, isolated, but never forgetting his purpose.
 
Now the Legion has returned, and there is only one champion who can truly stand against it. Released from his bonds, Illidan prepares for the final confrontation in the alien realm of Outland, gathering an army of grotesque fel orcs, serpentine naga, cunning blood elves, and twisted demon hunters to his side. He alone knows what deeply hidden motives guide his hand; he alone understands the price that must be paid to defeat the enemies of creation. Yet as before, he is assailed by those who see his schemes as a cynical quest for power, including the night elf Maiev Shadowsong, his former jailor. Warden Shadowsong and her Watchers have pursued the Betrayer to Outland to exact retribution for his crimes, and she will not rest until Illidan is in her custody . . . or in his grave.

Praise for Illidan
 
“William King kicks off a great story with Illidan.”—BlizzPro
 
“For many people, new and old players alike, this book will be an eye-opening journey.”—All Things Azeroth
 
“I enjoyed World of Warcraft: Illidan a great deal.”—BlizzPlanet
 
“Damn fun . . . There’s virtually never a dull moment in Illidan.”—Cinelinx

  • Sales Rank: #2855 in Books
  • Published on: 2016-04-12
  • Released on: 2016-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.30" l, 1.14 pounds
  • Binding: Hardcover
  • 336 pages

Review
“William King kicks off a great story with Illidan.”—BlizzPro
 
“For many people, new and old players alike, this book will be an eye-opening journey.”—All Things Azeroth
 
“I enjoyed World of Warcraft: Illidan a great deal.”—BlizzPlanet
 
“Damn fun . . . There’s virtually never a dull moment in Illidan.”—Cinelinx

About the Author
William King is the author of more than twenty novels, an Origins Award–winning game designer, and a husband, father, and player of MMOs. His short stories have appeared in Interzone and The Year’s Best Science Fiction: Seventh Annual Collection. His Warhammer books have sold almost a million copies in English and been translated into eight languages. His novel Blood of Aenarion was shortlisted for the 2012 David Gemmell Legend Award.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Four Years Before the Fall

Green meteors ripped through the dark clouds that perpetually obscured the heavens over Shadowmoon Valley. The ground shook as the monstrously ornate demonic siege engines on the walls of the Black Temple rained death down on the blood elf forces of Prince Kael’thas Sunstrider, strewing the red earth of Outland with their corpses. Despite their losses, the elves pushed forward, determined to take the citadel of Magtheridon, lord of Outland, the Burning Legion’s satrap in this shattered world.

Illidan paused for a moment and studied the Black Temple. To inexperienced eyes, the defenses might look immeasurably strong, but he saw that they had been neglected. There were too few sentries for the span of the towering walls, the warding spells were starting to unravel, and the metal struts of the gates were stained with rust and verdigris. The defenders responded slowly, as if they could not quite believe they were being assaulted by a force so much smaller than their own. Perhaps they expected to be relieved by demonic allies. If so, they were doomed to disappointment. Illidan and his companions had spent the whole long, hot Outland day sealing the gates through which the demons were summoned. No aid was coming from that source.

Illidan glanced over at Prince Kael’thas. “Magtheridon has grown strong over the years, but he has had few real foes to contend with. He has become decadent and complacent. The boisterous cur cannot match our cunning or our will.”

The tall, fair blood elf prince looked up at him. The fierce joy of combat blazed in his eyes. “This will be a glorious battle, master. Though Magtheridon’s forces vastly outnumber ours, your soldiers are prepared to fight to the end.”

Illidan hoped that would not prove necessary. He needed to seize the Black Temple and mastery of Outland quickly if he was to make himself secure against the vengeance of the demon lord Kil’jaeden. Kil’jaeden had set Illidan a task after he rejoined the Burning Legion—­to destroy the Frozen Throne and hence eliminate a rebellious servant—­and he had not completed it. The Deceiver did not reward failure. Illidan believed that closing the demonic portals could thwart Kil’jaeden’s attempts to locate him. Winning this fortress would give him a stronger base of operations for keeping the portals closed.

An elven sorcerer raised his hand and sent a bolt of arcane energy lancing toward the walls. Badly maintained or not, the defenses were enough to prevent it from striking the siege engine. A ball of fire arced down toward the mage, gouging the blood-­red earth as the defenders sought his range. A company of Kael’thas’s soldiers raced past en route to the shelter of the walls.

Illidan clenched his fists as he sensed the demons within the temple. Here in the foreign world of Outland, he felt the temptation of demonic magic even more strongly than usual, especially after he had consumed the potency within the Skull of Gul’dan. The surge of evil energy from that artifact had transformed him, changing both his physical form and the depth of his power, but it had put him off balance for months. He flexed his newly gained demonic wings, earning a concerned glance from Prince Kael’thas. Illidan took a deep breath and forced himself to be calm.

It was a long, strange road that had brought him to this pass. Since Tyrande had freed him, he had seen the overthrow of the Burning Legion on his homeworld of Azeroth, made a pact with a demon lord, and fled to Outland to evade his enemies, both night elven and demonic. He had been recaptured by his old nemesis, Maiev, and then freed by his allies, the young prince Kael’thas—­whose allegiance Illidan had earned by pledging to help the blood elves sate their addiction to magic—­and Lady Vashj, a leader of the naga. Now he found himself scheming to overthrow the pit lord who ruled this shattered world in the name of the Burning Legion.

Kael’thas stared at him, expecting an answer to his promise of loyalty. Illidan said, “I am pleased by your people’s zeal, young Kael. Their spirits and powers have been honed in this harsh wilderness. Their courage alone may be enough to—­”

“Lord Illidan, new arrivals come to greet you.” The voice of Lady Vashj cut him off as she slithered into view. Great bands of muscle pulsed and bulged as she moved, twisting the coils of her lower body. Her oddly beautiful face, reminiscent of a night elf’s, contrasted with the horror of her serpentine form.

Illidan turned to look in the direction she indicated. A pack of monstrous figures lumbered into view. Illidan recognized them at once. They were Broken, corrupted and devolved former members of the draenei race who had inhabited Draenor before it was shattered into Outland. They, too, were part of Illidan’s coalition, bound to him by promises of aid against their common enemy, Magtheridon.

The Broken were hulking, ungraceful monsters, bearing primitive weapons in their huge hands. Illidan’s mystical senses detected that more of them were nearby, potent magic concealing them from those who lacked his spectral sight.

One of the Broken, even more massive and twisted of form than the rest, limped forward on hoofed feet. “We have fought the orcs and their demon masters for generations,” the figure said. His voice rasped from within his chest. It seemed to pain him to speak. “Now, at last, we will end their curse forever. We are yours to command, Lord Illidan.”

It was Akama, leader of the Broken. He was not a reassuring figure. Fangs jutted up from his lower jaw. Tentacles writhed out from the bottom half of his face.

“You have arrived just in time,” said Illidan. “Those machines on the walls must be silenced, and the gate must be opened.”

Akama nodded and gestured. The near-­invisible Broken swarmed forward across the open ground and clambered up the walls of the Black Temple. A small force of blood elves and naga took shelter against the monstrous fortifications, beneath the firing arcs of the demonic engines. Illidan, Kael’thas, and Lady Vashj moved to join them, along with Akama and his bodyguards.

Once again, the so-­called lord of Outland’s overconfidence was revealed. A properly prepared fortress would have vats of boiling oil or alchemical fire ready to pour down on attackers. The defenders did nothing. Long minutes ticked by. This close to the walls, Illidan could hear the hum of the magical generators that powered the demonic war machines.

Suddenly the sounds of combat came from within the walls, and the great gates of the Black Temple swung open. Akama and his bodyguards raced forward to join the fray. Explosions sounded as the Broken destroyed the generators, and the war machines on the walls fell silent. The main bulk of the naga and blood elf force advanced toward the gate once more.

Akama returned, hideous face jubilant. He had waited a long time for this day. Illidan smiled and said, “As I promised, your people shall have their vengeance, Akama. By night’s end, we will all be drunk with it. Vashj, Kael, give the final order to strike. The hour of wrath has come!”

Through the open gates, Illidan could see a vast courtyard stacked high with bones. Red-­skinned fel orcs milled around in confusion as their leaders bellowed commands and tried to get them into some semblance of order to repel the invaders.

Within the Black Temple, there were probably ten fel orcs for every one of Illidan’s troops. Each had been twisted by foul magic into something far stronger and fiercer than a normal orc. It counted for nothing now. Illidan’s forces swept into the courtyard, a tight wedge that cleaved through their disorganized enemy as easily as their blades sliced orcish flesh.

Illidan plunged his talons into the chest of a fel orc. Bone crunched as he closed his fingers and ripped open a cavity to pull the heart free. The fel orc roared and lunged forward, jaws snapping in an attempt to tear out Illidan’s throat even as the creature died.

Illidan raised the corpse above his head and tossed it into the onrushing squad of red-­skinned defenders. Its weight bowled them over, sending them tumbling to the ground. He leapt amid them, freeing his warglaives from their sheaths. He lashed out, striking to left and right with irresistible force. His enemies fell, decapitated, limbless, mutilated. Blood covered him. He licked it from his lips and moved forward, slashing and slicing as he went.

All around, the dying screamed. Magic thundered as Prince Kael’thas and Lady Vashj unleashed their spells. Illidan was tempted to do so himself, but he wanted to preserve his strength for the final conflict with Magtheridon.

Part of him took pleasure in the clash of arms. There was nothing quite like shedding the blood of your foes with your own hands. Deep within him, the chained demon part of his nature enjoyed feeding this way.

The fel orcs fought well, but they were no match for Illidan and his comrades. The naga were much larger and more physically powerful. They wrapped their enemies within their serpentine coils and squeezed the life out of them.

The blood elves were masters of sorcery and swords. They might not be as strong as the fel orcs, but they were faster and more agile, and bonds of loyalty stronger than life itself drove them to defend their prince.

The Broken fought with the determination of a people driven to free their homeland from the grip of demons. The howls of dying fel orcs rose to the heavens in protest as they dropped before the hungry blades of their enemies. Within minutes the courtyard was cleared, the fel orcs were routed, and the way into the Black Temple’s inner citadel and Magtheridon’s chambers lay open.

“Victory is ours,” said Akama. “The Temple of Karabor will belong to my people once again.”

“The temple will be returned to your people,” Illidan said. He replaced his warglaives in their sheaths. “In good time.” It was true. He fully intended to give back the Black Temple to the Broken. Once he had achieved his goals.

Akama looked at him with rheumy eyes. He interlaced his stubby fingers and bobbed his head, his need to believe etched on his face. The Temple of Karabor had been the most sacred site of his people before Magtheridon’s desecration turned it into the Black Temple. Illidan sensed it had a deep personal significance to the Broken himself. That was a string that could be tugged to make him dance, if the need arose. Not that what Akama wanted counted for anything. Illidan’s purpose far outweighed the desires of any Broken. He had planned too long to let scruples stand in his way.

“When we overcome the pit lord, most of his fel orc lieutenants will support us,” Illidan said. “They follow the strongest, and we will have shown that their faith in Magtheridon was misplaced. Such summoned demons as remain within the temple will be bound in fealty to me, or they will die their final death.”

Vashj nodded. “Cut off the head and the body falls,” she said.

“You will slay Magtheridon, Lord?” Akama asked.

Illidan allowed himself a cruel smile. “We shall do much worse than that,” he said.

“And what would that be?” Akama spoke slowly. Illidan heard the doubt in his voice. Clearly, Akama had reservations about what they were doing.

“You will need to wait and see,” Illidan said.

“As you wish, Lord,” Akama said. “So shall it be.”

“Then let us be about our business,” said Illidan. “We have a world to conquer.”

The doorway to the throne room slid open. The stench of demon assaulted Illidan’s nostrils. Flames leapt around Magtheridon’s throne of bones. The pit lord loomed more than five times the height of a blood elf, a centaur-­like creature with two arms and a quadruped lower half, as massive as a dragon. Magtheridon’s legs were like the columns supporting the roof of some ancient temple. They lifted his underbelly so high that an elf could walk beneath it. In one huge hand, he held a glaive as long as the mast of an oceangoing ship, weighty as a battering ram. Flanking him were two gigantic, batwinged doomguard, each almost as tall as their master, and a force of lesser demons. Illidan sensed their power and their hostility.

The pit lord turned his burning eyes upon Illidan. When he spoke, his voice was deep and guttural. “I do not know you, stranger, but your power is vast. Are you an agent of the Legion? Have you been sent here to test me?”

Illidan laughed. “I have come to replace you. You are a relic, Magtheridon, a ghost of a past age. The future is mine. From this moment on, Outland and all its denizens will bow to me.”

The pit lord lumbered forward, raising his gigantic glaive. The earth shook beneath his tread. “I will crush you like the insect you are. I will feast upon your pulped flesh and devour your soul with it.”

He spoke with the overweening self-­confidence of one who thought his might was unchallengeable. His demonic bodyguards advanced. Illidan sprang, warglaives scything through the air to bite into demon flesh. His blow slashed the arm from a felguard, forcing the creature to drop his axe. A heartbeat later Illidan’s left-­hand warglaive sliced his opponent open from neck to groin.

Illidan’s own forces advanced into the fray. The doomguard were mighty, but they were few. Buffeted by the spells of Kael’thas and Vashj and surrounded by assailants, the doomguard were slain like bears being dragged down by a pack of hounds.

Illidan bounded forward to confront Magtheridon himself. The pit lord’s huge glaive crashed down, biting into the stone where Illidan had stood. He was already away, rolling between the lord of Outland’s columnar legs, hamstringing each of the front ones with a double swipe of his blades. The pit lord roared with fury and struck again. Illidan tumbled forward under his foe’s belly, drawing forth ichor with his strikes. He vaulted onto Magtheridon’s massive tail, ran up his spine, and drove his blades into the demon’s thick neck.

From Illidan’s vantage point, he could see that his forces had felled the pit lord’s bodyguards. The demons were finished. Illidan raised his hands high and chanted the spell of binding. A wave of unleashed magical energy hit the pit lord. Magtheridon flinched as the spell began to bite.

Illidan’s heart thundered as he exerted his will. He felt as if he were engaged in a tug-­of-­war with a giant. Magtheridon’s advance slowed. His face twisted as if he, too, felt the strain.

“You are strong—­for a mortal,” the pit lord said.

“I am not a mortal,” said Illidan.

“Anything that can be killed is mortal.”

Most helpful customer reviews

20 of 20 people found the following review helpful.
Couldn't put it down!
By Spencer R.
I'll start off by saying that I didn't sleep last night. I was reading Illidan. :)

As someone who has played World of Warcraft for 10 years, and the RTS games before that, this book was a fantastic read. It was a nostalgic trip down memory lane as King brought Illidan back to life in preparation for the Legion expansion of WoW.

The story takes place from Illidan's point of view. It starts with Illidan's initial release from millenia of imprisonment. Character development is spot on, and shows one of Warcraft's greatest villains in a different light. Illidan does things for the right reasons, but in the wrong way, leading him deeper and deeper into darkness.

Attention to detail is deep, but fast enouigh that the reader can continue enjoying the story. When I read a really good book, my imagination turns the detail into a movie in my mind. Not every book can do that, but King made it possible in this one. Having read other Warcraft novels, I was surprised at some of the more graphic scenes in this one. Eyes are gouged out, skulls are crushed, etc. Most readers will be fine, but consider reading somewhere other than the dinner table. I would describe these scenes as "crunchy, yet strangely satisfying".

I definitely give this book 5 stars. If you play WoW and plan to play a Demon Hunter class in Legion, this book will introduce you to characters you will meet in-gmae.

28 of 30 people found the following review helpful.
Not empty praise: a must-read for Warcraft fans
By Dorothy Gray
This is a review of William King's novel "Illidan: World of Warcraft".

Relative to other Warcraft books, the writing is like Shakespeare, IMO. The story is told from the points of view of Maiev, Akama, a night elf Illidari student demon hunter named Vandel, and Illidan himself. The characterizations of Illidan and Maiev are very well-done. King paints them both as obsessive, rage-filled, egomaniacal jerks who will pay any price to obtain the outcome they desire -- near mirror images of each other, in fact. However neither of them are presented as being outright evil -- just very flawed.

Also relative to other Warcraft books, it's explicitly gory and violent, but again IMO, that befits a book about Illidan. If a book about him were to be glossed over, it would feel silly. The sections depicting the training of the student Illidari demon hunters are especially graphic. Do not be eating your lunch while reading these parts.

As far far as characterization of Illidan goes, I feel that he has been given a lot more depth -- something that this character always had the potential for given the right author to bring it out. While our old "ends justifies the means" power-seeking creep is still there (no doubt about that), he is portrayed as still possessing solid core morality deep down and the ability to feel empathy for other living things. He's willing to cast aside the rules of right and wrong as he needs to and he rationalizes it away as being for the greater good/the ends justifies the means, but there's still some genuine regret there.

I'm not dinging a star for some very sloppy editing: misspelled words, incorrect timelines regarding things like Illidan's memory of Nordrassil (he shouldn't have had one) and Maiev's memory of Darnassus (she shouldn't have had one) -- basic stuff that should have been caught before going to press.I'm not that nitpicky although really, if Blizzard was proofing the book, someone should have caught the timeline stuff. Not that big deal in the end because it doesn't detract from the excellent story.

I hope King is able to write more for Blizzard. I really enjoyed this.

14 of 14 people found the following review helpful.
Fantastic Book - A Great Addition to WoW Lore
By E.Morales
Fantastic book. Ignore the negative review; it's a grip with Amazon and not the actual content of the book so don't be discouraged. This is a fantastic addition to the wow canon.

See all 170 customer reviews...

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Jumat, 20 Maret 2015

[Q209.Ebook] Download PDF Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Download PDF Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes. Modification your practice to put up or lose the time to only talk with your pals. It is done by your everyday, do not you feel burnt out? Now, we will reveal you the brand-new behavior that, actually it's an older practice to do that can make your life much more qualified. When really feeling bored of consistently chatting with your friends all downtime, you could locate the book qualify Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes and after that review it.

Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes



Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Download PDF Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes. Exactly what are you doing when having leisure? Chatting or scanning? Why do not you try to review some e-book? Why should be reading? Reviewing is among fun and also enjoyable task to do in your extra time. By reading from several sources, you can find new info and also encounter. The e-books Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes to check out will be countless beginning with clinical e-books to the fiction publications. It means that you could check out guides based on the necessity that you desire to take. Obviously, it will certainly be different and you can read all publication kinds at any time. As below, we will certainly reveal you a book ought to be reviewed. This e-book Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes is the selection.

Occasionally, reviewing Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes is quite dull and it will take long period of time beginning with obtaining the book as well as begin reviewing. Nonetheless, in modern-day age, you could take the establishing modern technology by utilizing the web. By web, you can visit this web page as well as start to hunt for guide Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes that is required. Wondering this Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes is the one that you require, you can choose downloading and install. Have you understood how you can get it?

After downloading the soft documents of this Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes, you could begin to read it. Yeah, this is so delightful while somebody ought to review by taking their big books; you remain in your new means by only manage your gizmo. Or even you are working in the office; you can still utilize the computer to read Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes completely. Obviously, it will not obligate you to take numerous pages. Just web page by web page depending on the moment that you have to review Drawing Type: An Introduction To Illustrating Letterforms, By Alex Fowkes

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Drawing Type: An Introduction to Illustrating Letterforms, by Alex Fowkes

Part inspiration and part workbook, these hand-drawn type of images will inspire and excite any designer to draw and explore type. Drawing Type features real-world projects and sketchbooks of well-known type designers, including interviews about their processes. Playful, hand-drawn type can easily be used in a range of disciplines within design and illustration such as packaging, editorial, posters, advertising, online graphics, and signage; the hand-made aesthetic is more prevalent now than ever.

Alex Fowkes will help you to create custom lettering and typographic layouts. Alex encourages you to start drawing all kinds of typography, including serifs, sans serifs, and scripts. He provides ample examples of typefaces to draw inspiration from so you can become confident enough to draw your own. Drawing Type is perfect for learning and developing your skills at home or in a classroom--an invaluable resource that you can refer to again and again!

  • Sales Rank: #275262 in Books
  • Brand: Fowkes, Alex
  • Published on: 2014-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .50" w x 8.00" l, 1.70 pounds
  • Binding: Paperback
  • 208 pages

About the Author
Alex Fowkes is a freelance designer based in London, UK. While working full time Alex completed lots of typography based briefs in his spare time, from personal pieces to commissions and album covers. His work varies from hand drawn type to digital typography but always tries to retain a human element to his work. The Sony Timeline is the biggest typographical piece he has undertaken taking almost 150 square meteres, taking over 2 months just to design.

Most helpful customer reviews

43 of 45 people found the following review helpful.
Good book for inspiration and reference
By Parka
[[VIDEOID:mo24XD80SBE58VL]]Author and designer Alex Fowkes said that this book was created out of a love for playful typography. Indeed. Many of the examples showcased present playful ways in which you can reimagine typography, and use them in exciting and fun manners.

The book covers four different styles of typographic work, namely hand rendered, vintage, playful and contemporary. The work featured clearly are curated for their beauty.

The first section on hand rendered typography looks at the creative lettering and type designers. A total of 72 are featured. They talk about their inspiration and process, and also specifically at selected pieces of their work.

The examples are beautiful, and it's not just typography but there are also other design elements at work to make the whole illustration work. There's a good variety of refreshing styles to check out. As such, it serves as a good reference, a book you'll want to browse through when facing a creative block.

The first section has 170 pages, and the book has 208 pages.

The second section is a workshop on type basics. It talks about the construction of a type. Using existing typefaces, you're invited to create your own range of type-based work. There are perforated pages with specimen sheets containing all the alphabets in different styles. These sheets are used for reference so you can trace over them and modify from there. The sheets have four sans serif, four serif, four script and four display type.

Drawing Type is a good resource for graphic and type designers. It's not so much a technical book on creating type, although you're introduced and invited to experiment with the selected reference typefaces that are picked out.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

23 of 23 people found the following review helpful.
Great Book, Misleading Title
By M. Wilson
I have to say the title is misleading. This book has a few pages tacked on the end that are actually "how to." The rest is a collection of amazing artwork by famous lettering artists... which is exactly what I was looking for. I had to knock it a star because it's worthless a how-to illustrate letterforms book as it claims in the title. But I love referencing this book when starting a new piece. The photo is something I drew that was inspired by a piece in the book. -Made By Marzipan, letterist

5 of 5 people found the following review helpful.
Great read!
By Amazon Customer
My favorite book on typography and lettering. Interesting interviews with artists who share their technique and styles. They all give really good insight into their design process. Wouldn't really call this a "how to" book. More of an influence, really. Highly recommended.

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Senin, 16 Maret 2015

[B840.Ebook] PDF Ebook Christianity in the Light of Science: Critically Examining the World's Largest ReligionFrom Prometheus Books

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Christianity in the Light of Science: Critically Examining the World's Largest ReligionFrom Prometheus Books

This anthology of new critical essays written by experts in their fields, in honor of the late Victor Stenger, examines Christianity using established scientific criteria. Where science specifically touches upon the claims of Christianity the authors seek to show those claims lack the required evidence. The result is that Christianity is not a sufficiently evidenced religion.

In his New York Times bestseller, God: The Failed Hypothesis, physicist Victor Stenger argued that claims of religion should be subject to the same standards of scientific rigor as any other truth claim. Taking this approach, the contributors argue that Christianity fails every known scientific test for truth. Stenger himself wrote a chapter for this volume before he died. In it he presents a brief history of ideas about cosmology, showing that Christianity’s premodern understanding of the cosmos is incompatible with current scientific evidence regarding the origin and structure of the cosmos.

Other contributors examine a wide variety of topics, including biblical archaeology, Intelligent Design, the Shroud of Turin, free will, the existence of the soul, the efficacy of petitionary prayer, and more.
    
This challenging work is indispensable reading for both skeptical readers and open-minded people of faith.

  • Sales Rank: #129762 in Books
  • Published on: 2016-07-26
  • Released on: 2016-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.00" w x 6.00" l, .81 pounds
  • Binding: Paperback
  • 380 pages

Review
“In this fascinating collection of essays by noted scholars from a wide range of fields, Loftus promises to expose the dog and pony show that is Christianity in a scientifically advanced world—and this series of cohesive and compelling treatises delivers on that promise. This absorbing book is a must-read for minds open to critical thought about who we are, what we know, and where we came from as human beings.”

—Dr. Elicka Peterson Sparks, author of The Devil You Know: The Surprising Link Between Conservative Christianity and Crime

"In this indispensable volume, John Loftus and his colleagues demonstrate all the different ways in which science undermines and threatens religious belief. The only way you can rescue God from this book is if you force him to retreat so far that you might as well stop believing in him. I defy you to read this volume and still believe that religion and science shall ever meet. John Loftus will never receive the Templeton Prize, but he should. This collection alone will further our understanding of science and religion more than all the previous winners combined."

—Dr. Maarten Boudry, philosopher, Ghent University

“This is the best compilation John Loftus has done to date, and I have enjoyed reading his others. I truly couldn’t put it down. He has assembled leading authors to write essays in an easy–to-read, well-annotated manner. If you find a particular subject of interest in a couple of authors or more, check out their larger body of work. I highly recommend this book for those who want to delve deeper into why religion persists in our world and why it shouldn’t.”
 
—Karen L. Garst, PhD, editor of Women Beyond Belief and blogger at www.faithlessfeminist.com

“In this anthology, Loftus gathers a broad scholarly team that tests the claims of Christianity against the evidence. Within these pages is a rigorous challenge for everyone still in the faith.”

—Brandon G. Withrow, PhD, author of Consider No Evil

PRAISE FOR PREVIOUS WORKS BY JOHN W. LOFTUS:

"John Loftus knows from the inside what's wrong with Christianity. Few people are better qualified to explain to those still in its clutches why they'd do well to leave, and he has assembled a fine team of colleagues to assist him in doing so. This book should convert a high proportion of those with the courage to read it."
--RICHARD DAWKINS (reviewing Christianity Is Not Great)

"Loftus's book is admirable for its bluntness and single-minded drive toward the belief that science--itself a human construct and thus as subject to flaws as religion--is mankind's saving grace...Provocative."
- Kirkus Reviews (on The End of Christianity)

"Without doubt one of the best books I've ever read on faith. A masterpiece."
- PETER BOGHOSSIAN, author of A Manual for Creating Atheists (on The Outsider Test for Faith)

"A must-read for believers and any atheists who want to debate them. Superbly argued, air­tight, and endlessly useful, this should be everyone's first stop in the god debate."
- RICHARD CARRIER, author of Proving History (on The Outsider Test for Faith)

"[T]he reader seeking a comprehensive disproof of Christianity as contemporary evangelicals defend it can do little better than to consult this volume."
- Free Inquiry (on Why I Became an Atheist)

About the Author
John W. Loftus earned M.A. and M.Div. degrees in theology and philosophy from Lincoln Christian Seminary. He then attended Trinity Evangelical Divinity School and received a Th.M. degree in philosophy of religion. Before leaving the church, he had ministries in Michigan, Illinois, and Indiana, and taught at several Christian and secular colleges. The author of Why I Became an Atheist: A Former Preacher Rejects Christianity and The Outsider Test for Faith: How to Know Which Religion Is True, Loftus is also the editor of The Christian Delusion: Why Faith Fails; The End of Christianity; and Christianity Is Not Great: How Faith Fails.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Apologetics is dragged from the dark corners of the mind and out to the light of reason!
By David Cortright
Once again John W. Loftus does not disappoint! With his latest anthology he and the rest of the collaborators to this work have put to rest the so called science vs. religion debate. You cannot simply call pseudoscience scientific and expect it not to be critically reviewed and scrutinized by those of us that value logic and reason. Every aspect of the argument is covered in detail here and is worth reading both for believers and nonbelievers alike. Guy P. Harrison, David Eller, and Sharon Nichols deal with the psychology of religion in part one. In part two the late Victor J. Stenger, Phil Halper and Ali Nayeri, and Abby Hafer deal with the many flaws and misinterpretations of science inherent in creationism/id. In part three Robert M. Price and Edwin A. Suominen, Julien Musolino, and Jonathan Pearce deal with the fallacies behind the concepts of sin/salvation, soul beliefs, and free will. In part four Robert R. Cargill, Rebecca Bradley, and Rene Salm expose the lies and misinterpretations behind biblical archeaology, the Exodus myth, and finally the myth of Nazareth. Finally, in part five Aaron Adair, Valerie Tarico, and paranormal investigator Joe Nickel take a look at the myth of the Bethlehem star, the uselesness of prayer, and the turin fraud.

Overall this book lays out the may reasons why religion and in particular Christianity does not stand up to scientific scrutiny and the Bible itself does not stand up to the light of reason. The only way that one could justify their beliefs after reading this book is if they continue to accept the misinterpretations of science by biased clergy and their clever uses of apologetics in favor or reason.

10 of 11 people found the following review helpful.
Overall Quite Good
By Book Fanatic
I waffled between a 4 star and a 5 star rating of this book. Like all anthologies you get a mixed bag of writers and writing. Overall however I think there are more 5 star than 4 star essays in this collection so I gave it 5 stars with a bit of a qualification. For me the book was really good for the essays in part 3 and part 4. The best essay in the whole book is Jonathan Pearce's on Free Will, but all of the essays in these two secctions are very good - sin, the soul, free will, and archaeology.

Here is the thing. I didn't find myself disagreeing with any of the authors in this anthology and by themselves there was nothing wrong with any of the essays. However, I felt some of them didn't really fit. For example there is an essay on cosmology by Hapler and Nayeri. I felt the essay was too dense and too technical for this kind of book. I think I followed it well, but it was too much for this kind of book. There were some other essays the kind of made me think "big deal". There is a very concise and well written essay on ID and why it isn't science. Okay but I'm not sure of the point. There are a great many people we would call Christians and who call themselves Christians that don't subscribe to ID. Same with the Bethlehem Star. These articles are good in and of themselves but I don't see how they are central to Christianity.

However all of the essays have a point to make and as stand alone essays do that quite well. So for that reason as well I didn't really feel justified in taking off a star rating. Overall this is a very good collection and well worth reading.

If you are reading this review and haven't read The Outsider Test for Faith: How to Know Which Religion Is True by John Loftus I would highly recommend it. It is very, very good.

6 of 7 people found the following review helpful.
Solid Anthology
By Book Shark
Christianity in the Light of Science: Critically Examining the World’s Largest Religion by John Loftus

“Christianity in the Light of Science" is a solid anthology of critical essays that examines the scientific evidence that have convinced most atheists to walk away from Christianity. Accomplished author and former preacher John W. Loftus, assemble a group of scholars who focus on the scientific evidence lacking in Christianity. This persuasive 380-page book includes fifteen essays broken out by the following five parts: 1. Science and Religion, 2. Science and Creationism, 3. Science and Salvation, 4. Science and the Bible, and 5. Science and the Christ.

Positives:
1. A professionally written and edited book. Loftus has an excellent track record of quality work.
2. Fifteen solid essays from scholars of various backgrounds covering a wide-range of topics with a focus on examining Christianity through scientific evidence.
3. An excellent list of contributors including prominent women.
4. Easy to follow format that allows readers to jump to topics of interest.
5. Always provocative. These anthologies are intended to provoke critical thought and examine the evidence for what it is. “The reason believers are not open-minded to science, in those areas where science conflicts with their faith, is because of confirmation bias.”
6. Many great quotes immersed throughout anthology. “A man who prays is one who thinks God has arranged matters all wrong but who also thinks he can instruct God on how to put them right.” —Christopher Hitchens
7. Harrison kicks it off with an excellent essay on thinking critically. “Christianity's overarching opposition to Good Thinking is the crucial challenge, and there is only so much time in a day. This is where the most damage is done, and it should be the focus.”
8. Eller’s essay focuses on the cognitive science of religion. “The first thing to note about neurological and cognitive evolution (and this point will figure prominently below) is that the human brain developed from pre-human brains and retained many of the components and functions of those reptilian and mammalian brains.”
9. So what accounts for the deep entrenchment of religion as a human universal? Nichols sheds light. “There are three trends playing out on the world stage today: anti-intellectualism, anti-science, and anti-modernity.”
10. The late great Victor Stenger leaves us with his final essay on cosmology. “Copernicus's supporters had a hard time reconciling the Copernican model with the Bible, particularly the Joshua story (Joshua 10:12–13), as well as Psalms 93:1, 96:10, 104:5, and 1 Chronicles 16:30, which declare that the foundation of Earth remain forever unmoved.”
11. Hafer destroys “Intelligent Design” with her cogent essay that cleverly showcases the scientific approach. “The results presented here are strong evidence that ID cannot be considered a scientific discipline because it does not follow the basic requirements for scientific research.”
12. A look at the failure of original sin.
13. One of my favorite essays debunks the soul. “In spite of well-publicized claims to the contrary, there is in fact no credible evidence for the existence of the soul.”
14. Pearce tackles the illusion of free will. “We are left with a concept of free will, this contra-causal, libertarian notion, which makes no sense in philosophical and theological context, and which is not supported by any evidence.”
15. A look at the historic/scientific claims of the Bible. “Outside of a small circle of believers, there existed no actual proof of the man, Jesus, whom early Christians claimed changed history.” “The awkward fact is there is a mismatch between the Exodus narrative in the Bible and associated sources and the narrative based on the archeological record.”
16. Was there a Nazareth Village Farm (VFM)? Find out.
17. Adair takes a comprehensive look at the Star of Bethlehem. “Putting this all together, the weight of the evidence strongly favors the idea that the tale of the Star of Bethlehem was deliberate theological fiction.”
18. Tarico goes over the research on the power of petitionary prayer and why it’s far from harmless. “Petitionary prayer suppresses critical thought.”
19. Nickell dissects the Turin Shroud.
20. Provides a brief biography of each contributor.

Negatives:
1. This anthology does not stack up to Loftus’s “Christianity is not Great: How Faith Fails”. Mr. Loftus has set the bar very high so it’s hard to live up to such expectations. That stated, don’t misconstrue such a statement as suggesting this book is not worth reading. I’m a big fan of all Loftus’ work, this book included.
2. I can’t quite put my fingers on it but there is something missing in this anthology. A big scientific “revelation” or something headline worthy.
3. Some essays are easier to follow than others. As an example, though quite simplified the essay on Before the Big Bang will still go over the heads of laypersons.
4. Requires an investment of your time.
5. No formal bibliography.

In summary, this is a solid anthology with excellent contributions. It’s not the groundbreaking book as previous works but it’s another solid contribution to a movement that focuses on critical thinking and progress. A solid anthology, I recommend it!

Further suggestions: “How to Defend the Christian Faith” and “The Christian Delusion” by John Loftus, “God: The Failed Hypothesis” by Victor Stenger, “Natural Atheism” and “Atheism Advanced” by David Eller, “Soul Fallacy” by Julien Musolino, “Free Will? By Jonathan M.S. Pearce, “A Manual for Creating Atheists” by Peter Boghosian, “God Is Not Great” by Christopher Hitchens, “The Not-So-Intelligent Designer” by Abby Hafer, “NazarethGate” by Rene Salm, “The Star of Bethlehem: A Skeptical View” by Aaron Adair, “Infidel” by Ayaan Hirsi Ali, “The Believing Brain” by Michael Shermer, “Faith vs. Fact” and “Why Evolution Is True” by Jerry A. Coyne, “Nonbeliever Nation” by David Niose, “Trusting Doubt” by Valerie Tarico, “Freethinkers” by Susan Jacoby, “Nailed” by David Fitzgerald, “Think” by Guy P. Harrison, and “The Science of Miracles” by Joe Nickell.

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Minggu, 08 Maret 2015

[V962.Ebook] Download PDF Theory and Practice of Writing: An Applied Linguistic Perspective (Applied Linguistics and Language Study), by William Grabe, Robert B. Ka

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Theory and Practice of Writing: An Applied Linguistic Perspective (Applied Linguistics and Language Study), by William Grabe, Robert B. Ka

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Theory and Practice of Writing: An Applied Linguistic Perspective (Applied Linguistics and Language Study), by William Grabe, Robert B. Ka

This book undertakes a general framework within which to consider the complex nature of the writing task in English, both as a first, and as a second language. The volume explores varieties of writing, different purposes for learning to write extended text, and cross-cultural variation among second-language writers.

The volume overviews textlinguistic research, explores process approaches to writing, discusses writing for professional purposes, and contrastive rhetoric. It proposes a model for text construction as well as a framework for a more general theory of writing. Later chapters, organised around seventy-five themes for writing instruction are devoted to the teaching of writing at the beginning, intermediate, and advanced levels. Writing assessment and other means for responding to writing are also discussed.

William Grabe and Robert Kaplan summarise various theoretical strands that have been recently explored by applied linguists and other writing researchers, and draw these strands together into a coherent overview of the nature of written text. Finally they suggest methods for the teaching of writing consistent with the nature, processes and social context of writing.


  • Sales Rank: #2264148 in Books
  • Brand: Routledge
  • Published on: 1996-09-06
  • Released on: 1996-09-04
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.14" w x 5.10" l, 1.33 pounds
  • Binding: Paperback
  • 504 pages
Features
  • Used Book in Good Condition

Review
"Compulsory reading for linguistics students" El Gazette, 1997

From the Back Cover
This book undertakes a general framework within which to consider the complex nature of the writing task in English, both as a first, and as a second language. The volume explores varieties of writing, different purposes for learning to write extended text, and cross-cultural variation among second-language writers. The volume overviews textlinguistic research, explores process approaches to writing, discusses writing for professional purposes, and contrastive rhetoric. It proposes a model for text construction as well as a framework for a more general theory of writing. Later chapters, organised around seventy-five themes for writing instruction are devoted to the teaching of writing at the beginning, intermediate, and advanced levels. Writing assessment and other means for responding to writing are also discussed. William Grabe and Robert Kaplan summarise various theoretical strands that have been recently explored by applied linguists and other writing researchers, and draw these strands together into a coherent overview of the nature of written text. Finally they suggest methods for the teaching of writing consistent with the nature, processes and social context of writing.

About the Author

William Grabe is Associate Professor in the English Department .at the Northern Arizona University, and Robert Kaplan is Emeritus Professor of Applied Linguistics, University of Southern California.

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