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Special features include objective recommendations of where to stay - from Maharajas' palaces to rustic beaches and 1001 ways to get off the beaten track together with insights into Indian culture.

• Sales Rank: #4537589 in Books
• Published on: 2004-04
• Original language: English
• Number of items: 1
• Dimensions: 1.76" h x 5.02" w x 8.24" l, .0 pounds
• Binding: Paperback
• 1496 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
Truly Top-Notch
By A
I spent two months backpacking through India in the summer of 2003, and the Footprint guide was tremendous. I also brought the Rough Guide to India, but Footprint was much more useful (though both blew away Lonely Planet!).

There is great coverage of smaller towns in all regions of the country, something that is invaluable if you're spending an extended period of time in the country. Almost every time I'd be overnighting in some obscure town as part of a bus journey, I'd at least find a paragraph or two, which saved the day more than once.

The maps are great. The most readable I've seen in any guidebook. The detailed maps of the whole country in the back were extremely useful.

The background section was also the most in-depth I've seen among India guidebooks. Very good.

All in all, this is definitely the best guidebook to use for India. One of the biggest benefits of it though, is that it isn't very popular. If Lonely Planet says a place is cheap, you can guarantee they've quadrupled their price since then. Footprint India really helps you stay off the beaten tourist path... I rarely had encounters with other travellers... almost all of my time was spent with locals, and the Footprint guide is definitely geared towards that. Most of the hotels reviewed aren't backpacker-focused (though those are there), but are mostly used by locals travelling for various reasons.

Highly recommended!

1 of 1 people found the following review helpful.
To India and back!
By Juice Box Hero
I spent several weeks in 2004 traveling through India using only this guide. The hotel listings were very helpful and even a relative that accompanied me on my travels (who is a cosmopolitan native) was impressed at the hotels we found for very reasonable rates and convenient locations. I always asked to view the room before checking in because my standards vary from their standards, but this book gave me a great headstart on which hotels to visit. If I didn't agree with their recommendation, I always found a similar hotel. It is a bit thin on the history and culture, for which I suggest a Fodor's.

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[O414.Ebook] PDF Ebook Collected Works: A Journal of Jazz 1954-2001, by Whitney Balliett

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Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest―and perhaps only original―musical form.

Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines―a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made.

Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting―a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"―and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."

• Sales Rank: #1391185 in Books
• Published on: 2002-04-15
• Released on: 2002-04-15
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.28" h x 2.03" w x 6.00" l,
• Binding: Paperback
• 880 pages

Review

“Balliett is one of those rare critics whose prose can be as much a work of art as what they write about.” ―The New York Times

“Studied, sparkling descriptions [that] bubble over with the qualities that make Mr. Balliett the most important chronicler of jazz ever--his ear for intense detail, his knack for rendering the mood of a performance, his love for the characters behind the music.” ―Dallas Morning News

“Balliett is the master mandarin stylist of all jazz critics, perhaps even of all critics . . . Savor this book for Balliett's elegant, even Ellingtonian-like verbal riffs filled with the sound of surprise.” ―The Hartford Courant

“This wonderful collection effortlessly teaches us the history of jazz and demonstrates again that Whitney Balliett is, like Updike and Nabokov, a miraculous writer, one who describes the indescribable.” ―William Whitworth, editor emeritus, The Atlantic Monthly

“Duke Ellington would say of a very few musicians that they were beyond category. Among those of us who write about jazz, so is Whitney Balliett.” ―Nat Hentoff

“Collected Works stands alongside Gary Giddins's similar book, Visions of Jazz: The First Century, as an invaluably cogent and forthright, self-assuredly individualistic history of jazz.” ―David Hajdu, The New York Review of Books

“Not only does Whitney Balliett know and love jazz, but he also possesses the poetic genius to champion it, riffing on language with all the fluency of the musicians whose praises he sings.” ―San Francisco Chronicle

“Whitney Balliett's words are magic. His descriptions of the music and musicians are very affecting and his love for jazz shines through with every elegant phrase.” ―Marian McPartland

“Balliett is a master of language.” ―Philip Larkin

“I am not really generous enough to tell you what I really think about how good you are. Let's say I'm flabbergasted. And that I think you are extremely important.” ―Harold Brodkey

About the Author

Whitney Balliett is jazz critic for The New Yorker. He is married to the painter Nancy Balliett. They live in New York City.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Unfortunate title to essential jazz journalism
By Bomojaz
Whitney Balliett is one of my favorite jazz writers (along with Dan Morgenstern and Ira Gitler), and I've enjoyed reading his pieces in The New Yorker since the 1960s. In the introduction to this book Balliett says he chose the title COLLECTED WORKS because "I like its ring"; that's a bit unfortunate because it gives the wrong impression. These are not his "collected works" but rather, as he again says in the introduction, "a distillation of many of the reviews and critical pieces that I have written about jazz." If you saved most of the original articles as I did, you would have a fairly decent sized pile of pieces that are not included here; perhaps even worse, you would notice that many of the articles appear in the book in truncated form (perhaps that's where the "distillation" comes in). One of the reasons I bought the book was because from its title and size (almost 900 pages) I thought I could take the Collected part literally, and I'd be able to free up some file cabinet space by discarding the original magazine articles. No way. I know this is a personal issue (mainly), but buyers should be aware of what they're getting (or not getting) here.

That being said, what you do get is absolutely worth having. Balliett knows the music as well as anyone and describes what he hears clearly and directly. He writes about the entire spectrum of jazz, from the earliest years of the music up into the avant-garde. Besides being deeply appreciative of the jazz masters (Armstrong, Morton, Ellington, Basie, Parker, Rollins, Coleman, to name just a handful) he writes about hundreds of musicians, good, bad, indifferent (but mainly good) who made it onto the jazz scene. He is particularly fond of good drummers (being a drummer himself). Reading The New Yorker you could be almost assured of getting Balliett's perspective on important jazz happenings in (particularly) the NYC area every couple of weeks or so. It was a wonderful steady diet of superb jazz journalism and criticism. It's great to have what's been included between book covers now, and hopefully what's missing gets published in book form some day, too. I really could use that file space.

2 of 4 people found the following review helpful.
A brilliant Jazz journalist
By Wagner F. Sacco
The man definitely has got style. His colorful articles on Jazz musicians can be considered literary works. Sometimes you feel his lack of musical background. But with such a charming style, who cares...

1 of 2 people found the following review helpful.
Balliett writes of one of the all-time great jazz singers
By Jeffrey Giles
In this collection of jazz criticism, Balliett writes of one of the all-time great jazz singers, Mildred Bailey, that she "rarely indulged in blue notes" and that "she was not emotional."

I admire Mildred Bailey precisely because of the bluesy and highly emotional quality of her singing, which has often brought tears to my eyes.

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A charming new pocket edition of one of Tolkien’s major pieces of short fiction, and his only finished work dating from after publication of The Lord of the Rings.

What began as a preface to The Golden Key by George MacDonald eventually grew into this charming short story, so named by Tolkien to suggest an early work by P.G. Wodehouse. Composed almost a decade after The Lord of the Rings, and when his lifelong occupation with the ‘Silmarillion’ was winding down, Smith of Wootton Major was the product of ripened experience and reflection. It was published in 1967 as a small hardback, complete with charming black and white illustrations by Pauline Baynes, and would be the last work of fiction to be published in Tolkien’s own lifetime.

Now, almost 50 years on, this enchanting tale of a wanderer who finds his way into the perilous realm of Faery is being published once again as a pocket hardback. Contained here are many intriguing links to the world of Middle-earth, as well as to Tolkien’s other tales, and this new edition is enhanced with a facsimile of the illustrated first edition, a manuscript of Tolkien’s early draft of the story, notes and an alternate ending, and a lengthy essay on the nature of Faery.

• Sales Rank: #697375 in eBooks
• Published on: 2015-02-26
• Released on: 2015-02-26
• Format: Kindle eBook

Review
"The book has a haunting quality, characteristic of the best of the 'deeper' folktales. It is a beautiful, memorable story." Times Educational Supplement "It may be compared to the most delicate miniature but it is one of a rare kind: the more closely it is examined the more it reveals the grandeur of its conception. Whoever reads it at eight will still be going back to it at eighty." New Statesman "A tremendously valuable volume with important new insights into Tolkien's way of working. It's also a beautiful hardcover edition of the story." Mythprint

About the Author
J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 50 languages and have sold many millions of copies worldwide.

Most helpful customer reviews

29 of 29 people found the following review helpful.
All the way from Daybreak to Evening
By E. A Solinas
While most of his genius went into the world of Middle-Earth and its fantastical history, JRR Tolkien produced a number of smaller stories during his life.

And though he disliked allegory, the enchanting "Smith of Wootton Major" is a bit of an oddity among his writings -- a beautifully fantastical little fable that drips over with Tolkien's love of real, deep fairy tales. And unlike many a story of elves or faeries since, Tolkien keeps that sense of mystery and magic in the world of the supernatural.

It takes place in a little town "not very long ago for those with long memories, not very far away fro those with long legs." The Master Cook of that village takes a vacation, and returns with an apprentice in tow. But something odd happens at the Feast of the Cake -- the cook stirs in a "fay-star" with little trinkets in the cake, and it's accidentally swallowed by a boy there.

The boy (later called Smith) is changed by the fay-star, which sparkles on his forehead. When he grows up, Smith ventures into Faery itself, and even meets the Faery Queen herself. The message she gives him is for her mysterious, missing husband, the King -- who turns out to be the last person anybody in Wootton Major would have expected.

"Smith" is a fairy tale in the best sense. Don't expect cackling witches or convenient loopholes in spells here; Tolkien was too skilled for that. Instead we have majestic fey and sparkling magic, woven with a tidy medieval town (consider the custom of naming people after their jobs -- Smith, a smith, capisce?). Never once does it become precious or cutesy, only more enchanted as it goes along.

It's also among Tolkien's simpler writings, especially since it is effectively a short story. In fact, it's so simple that it barely has a plot -- the vanishing King is the closest it has to conflict or a complete plot.

But Tolkien's writing sparkles with little details of the fey, with only a minimum of description. His glimpses of Faerieland are too brief, but written with the exquisite, haunting quality of his better-known works ("Once in these wanderings he was overtaken by a grey mist and strayed long at a loss, until the mist rolled away and he found that he was in a wide plain"). And he gives the impression of a world of magic far greater than any human could grasp ("... bearing the white ships that return from battles on the Dark Marches of which men know nothing").

And Smith is an odd sort of hero, infused with a kind of otherworldly light and grace that shines from him in the form of "Starbrow." Perhaps it was so stand in for the ability to see the magical and fantastical in the mundane world -- and if so, perhaps Tolkien felt that he himself had been given a fay-star that never left him.

Certainly the beauty and sweetness of "Smith of Wootton Major" suggest that he had one always -- an underrated little tale of magic and faerie, which highlights Tolkien's sublime writing.

27 of 28 people found the following review helpful.
Tolkien's portrait of the inexpressible wonder of grace.
By A Customer
Farmer Giles of Hamm is a hilarious tale in the spirit of the lighter passages of The Hobbit. The Little Kingdom of this story has much in common with the Shire where Bilbo Baggins wandered. It should be read for the shear pleasure of the journey.
Smith Of Wooten Major is something else entirely. Though once again we travel to an ancient England that has much in common with Middle Earth, here we find a tale for grown ups. Though most reviewers say that the tale is about what the gift of fantasy adds to the life of those who receive it, I believe that it really speaks of the rewards that come to those who choose to live life on a deeper level. What makes the book difficult to describe is that in story form Tolkien paints a picture or an illustration of the faith and the grace that were such an integral part of who he was as a person. Travelling with him you feel that you have encountered something more deep and wonderful than words can tell. The journey is not for everyone, but for those of you who take it and begin to glimps its meaning, like Smith's magic star, it will become an integral part of who you are.

20 of 21 people found the following review helpful.
A Revelation of Tolkien's Visions of Faery
By Paul E. Thomas
J.R.R. Tolkien's short work, "Smith of Wooten Major," which he wrote late in life, has already appeared in several fine editions, both by itself and in combination with other pieces by Tolkien, and most of us Tolkien enthusiasts already have it on our shelves. So why another one now, and why should we buy it? There are several compelling things about this book that make it highly attractive to those seeking a deeper understanding of Tolkien as a writer and thinker, and I'll only mention four here. First, this extended edition includes an important never-before-published essay by Tolkien on the story and on Tolkien's views of the nature of Faery, of its importance to him, of faery tales, and of the role of allegory in stories of this kind. It is a fascinating piece that provides new insight into Tolkien's thought as an artist trying to capture glimpses of Faery in his writing. The essay is in some ways an echoing companion piece for his famous earlier essay "On Fairy Stories," in which, among other things, Tolkien outlines his theory of sub-creation that he executed so successfully in "The Lord of the Rings." Second, the book contains never-before-published early notes and draft manuscripts for Smith, several pages of which are reproduced in the book itself in their original hand-written form with helpful transcriptions on the opposite page. These papers not only show Tolkien actively creating and revising his story and the history of its characters, but they also show Tolkien's working methods as a writer and so demonstrate, in a microcosm, the methods he used on such a large scale for "The Lord of the Rings." Third, Flieger's editorial contributions are very helpful. She provides an afterword that discusses the critical treatement of Smith, its genesis as a story, and outlines the new material which, as she says, allow the reader to follow "the authorial progression from explanation to inspiration to formulation to painstaking revision." Flieger's notes are also very helpful, for she points us to relevant matters in Tolkien's other works and illuminates puzzling aspects of Smith. And fourth, this is perhaps the first edition of Smith that takes Tolkien's statements that it is not a children's story seriously. He called Smith "an old man's book, already weighted with the presage of bereavement." Previous editions of Smith have ignored this statement and dressed the tale up as a children's book, presumably based on the unquestioned assumption (which Tolkien questioned very sharply in "On Fairy Stories") that because this is a faery tale, and because it is short, it must be for children. This edition honors Tolkien's view not only of Smith but of the importance of Faery and faery stories in general by beautifully reproducing the tale and the lovely Pauline Baynes illustrations, which were made for the first edition, and by setting them within a handsome hardcover text that Tolkien readers will prize very highly. This is a must have.

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Written as a collection of notes in Damon Baird’s journal, The Survivor’s Log expands on declassified testimony and other facets of the game and serves as an in-universe artifact within the timeline of the series. This firsthand account chronicles the soldier’s experience in a riveting and beautifully illustrated oral history — the events he witnessed and the deterioration of COG society, his decision to take his unit rogue, and stories from the other members of his cohort. Divided into sections on COG society, Kilo Squad, and E-Day, the book underscores the perseverance of Baird and Kilo Squad and highlights key details on Locust forces. The Survivor’s Log is a genuine treat for fans of the game that USA Today heralded as “an intense prequel,” as well as “an exhilarating expansion and another worthwhile reason to rev up the chainsaws."

• Sales Rank: #481117 in Books
• Published on: 2014-03-04
• Released on: 2014-03-04
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .90" w x 7.75" l, 2.00 pounds
• Binding: Hardcover
• 128 pages

Review
"...an incredibly detailed, beautifully put together book that was more than just a video game tie-in, it was a book both lovers of the game and non-fans alike could enjoy.”
—Geekadelphia

“Having read through Gears of War: Judgment – Kilo Squad: The Survivor’s Log...I’m more impressed by it than the game it’s derived from.”
—Diehard Game Fans

“…you’ll be hard pressed to read it and not want to go play Gears of War all over again...this is a hardcover that belongs on the shelf of every Gears of War fan out there.”
—Geek.com

About the Author
Rob Auten is a video game writer whose writing credits include Gears of War: Judgment (cowritten with Tom Bissell). He lives in New York City. Established in 1991, Epic Games develops cutting-edge games and cross-platform game engine technology. The company has created multiple award-winning titles in its Unreal series, and Epic’s Gears of War has won more than 30 Game of the Year Awards. Its headquarters are in Cary, NC.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Awesome expansion to the Gears universe.
By Lou
The kilo squad survivor's log is a neat collection of journal entries written by Damon Baird of Kilo squad during the events that take place during the game Gears of War Judgment. The Survivors log also contains drawings, post cards, aptitude tests of the members of kilo squad, and even the Cole Train's rookie card! These little extras seem to have been shipped right out of the gears universe. The book is meant to look and feel like Baird's Field notebook and the blood and coffee stains on some of the pages really makes it seem believable. Most of the entries are Baird writing to his parents postmortem but as sad as that may seem the entries are full of Baird's odd since of humor and are really fun to read. Baird covers everything from his first few weeks enlisted, basic training, the first time he met Cole, Sofia, and Paduk, the battle of Halvo Bay and of coarse the trial of Kilo squad. I always thought that of all the characters in Gears of War, Baird was the one we knew the least about. The Kilo squad Survivor's Log is a really neat look at Baird's story and adds a lot to Gears of War judgment..

3 of 3 people found the following review helpful.
awesome book
By Brett & Family
Still reading the book but so far its great. This is definatly set up to feel like a survivors log. As there are clips that are "taped" into the book like you would expect from a diary/journal. GOW is awesome!!

2 of 2 people found the following review helpful.
Absolutely Wonderful
By Jo Ann Mcbride
If you are a Gears fan, I strongly recommend you add this book to your collections. From front to cover it is just informative and beautiful .

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Published with Intelligent Energy

• Sales Rank: #2238929 in eBooks
• Published on: 2012-05-16
• Released on: 2012-05-16
• Format: Kindle eBook

Review
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About the Author
German Solar Energy Society (DGS) is the German section of the International Solar Energy Society.

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I have all three books and the last is used/read most .. but I've already taken the entry level exam.

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Has some good info
By Doug P
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• Sales Rank: #2897919 in Books
• Published on: 1952
• Number of items: 1
• Binding: Hardcover

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• Sales Rank: #17296285 in Books
• Published on: 1995-01-01
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