Selasa, 14 Oktober 2014

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Hal Leonard Coldplay X & Y Guitar Tab Songbook, by Hal Leonard

Note-for-note transcriptions with tab for all 13 songs from the 2005 release by these British rockers "Fix You," "The Hardest Part," "Low," "A Message," "Speed of Sound," "Square One," "Swallowed in the Sea," "Talk," "Til Kingdom Come," "Twisted Logic," "What If," "White Shadows," "X&Y.

  • Sales Rank: #2924976 in Books
  • Brand: Hal Leonard
  • Binding: Sheet music
Features
  • Tablature: Yes104 pagesSize: 12" x 9"Artist: "Coldplay"ISBN: 1423402324

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Minggu, 12 Oktober 2014

[S664.Ebook] Get Free Ebook SPQR: A History of Ancient Rome, by Mary Beard

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SPQR: A History of Ancient Rome, by Mary Beard

New York Times Bestseller • National Book Critics Circle Finalist • Wall Street Journal Best Books of 2015 • Kirkus Reviews Best Books of 2015 • Economist Books of the Year 2015 • New York Times Book Review 100 Notable Books of 2015

A sweeping, "magisterial" history of the Roman Empire from one of our foremost classicists shows why Rome remains "relevant to people many centuries later" (Atlantic).

In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.

100 illustrations; 16 pages of color; 5 maps

  • Sales Rank: #1747 in Books
  • Published on: 2016-09-06
  • Released on: 2016-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.20" w x 5.60" l, .0 pounds
  • Binding: Paperback
  • 608 pages

Review
“Beard tells this story precisely and clearly, with passion and without technical jargon…SPQR is a grim success story, but one told with wonderful flair.” (Greg Woolf - Wall Street Journal)

“Though she here claims that 50 years of training and study have led up to SPQR, Beard wears her learning lightly. As she takes us through the brothels, bars, and back alleys where the populus Romanus left their imprint, one senses, above all, that she is having fun.” (James Romm - New Republic)

“By the time Beard has finished, she has explored not only archaic, republican, and imperial Rome, but the eastern and western provinces over which it eventually won control…She moves with ease and mastery though archaeology, numismatics, and philology, as well as a mass of written documents on stone and papyrus.” (G. W. Bowersock - New York Review of Books)

“In SPQR, her wonderful concise history, Mary Beard unpacks the secrets of the city's success with a crisp and merciless clarity that I have not seen equaled anywhere else.” (Ferdinand Mount - New York Times Book Review)

“Beard does precisely what few popularizers dare to try and plenty of dons can’t pull off: She conveys the thrill of puzzling over texts and events that are bound to be ambiguous, and she complicates received wisdom in the process. Her magisterial new history of Rome, SPQR…is no exception…. The ancient Romans, Beard shows, are relevant to people many centuries later who struggle with questions of power, citizenship, empire, and identity.” (Emily Wilson - The Atlantic)

“A masterful new chronicle…. Beard is a sure-footed guide through arcane material that, in other hands, would grow tedious. Sifting myth from fact in dealing with the early history of the city, she enlivens―and deepens―scholarly debates by demonstrating how the Romans themselves shaped their legendary beginnings to short-term political ends…. Exemplary popular history, engaging but never dumbed down, providing both the grand sweep and the intimate details that bring the distant past vividly to life.” (The Economist)

About the Author
A professor of classics at Cambridge University, Mary Beard is the author of the best-selling The Fires of Vesuvius and the National Book Critics Circle Award–nominated Confronting the Classics. A popular blogger and television personality, Beard gave the Mellon Lectures at the National Gallery of Art in Washington, DC, and is a regular contributor to the New York Review of Books. She lives in England.

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419 of 447 people found the following review helpful.
SPQR and Roman identity
By JPS
Posted a couple of minutes before on Amazon.co.uk

This book from Professor Mary Beard is in many respects a masterpiece, but it is also a somewhat original one because it covers the history of Rome, but only its first millennium. The period starts with its foundation, traditionally set at 753 BC, and it stops around to 212 AD, when the Emperor most well-known as Caracalla made all free inhabitants of the Roman Empire into Roman citizens, therefore changing what it meant to be “Roman” and making “more than 30 million provincials into Romans overnight”, to quote the author. The event was indeed momentous, as rightly emphasised by the author, but this was largely because of its far-reaching consequences, and these may only have appeared overtime.

It can seem odd to publish a book on the history of Rome or on the Roman Empire and stop in AD 212, knowing, as we do, that the Roman Empire continued for over two and a half centuries for its Western part, and at least a further century and a half in the East. This is where the book’s title, its meaning, and the author’s intentions are important to understand.

SPQR is the acronym of the Senate and the People of Rome. The meaning refers to a period where the Senate and the People exercised supreme power in the city of Rome, which was a city-state to begin with, then the capital city of Italy, and the capital of an Empire. It also refers to a period where they appeared to exercise such power, as was the case after the so-called “Roman Revolution” from Augustus onwards, during what used to be called the period of the Principate. This is the period where the Emperor styled himself as the “First among equal” or the Princeps - the First in the Senate, and was careful, at least initially, to preserve the appearances of the Republic and of its institutions.

However, this book is really about Roman identity and, more precisely, what it meant to be a Roman citizen, from the foundation of the little city on the Tiber to the million large city that ruled over an Empire centred on the Mediterranean that the Romans arrogantly – but aptly - called “Mare Nostrum” (“Our Sea). It is not about what it meant to be a subject of the Roman Empire, or of the Christian Roman Empire, with multiple imperial capitals and Rome being, at best, only one of them.

Here we get to the (relatively recent) divide between “Classics” and the Greco-Roman city-state model, as opposed to “Late Antiquity” which covers the Late Roman Empire up to the Arab conquests and no longer up to AD 476 only, and which is underpinned by the Greco-Asian concept of imperial power and Emperors. The reader is also “treated”, somewhat amusingly, to the “politically correct” and faintly ridiculous and hypocritical BCE and CE (Before Common Era and Common Era) that have become fashionable and which refer to exactly the same dates as BC (before Christ) and AD (Anno Domini – Year of the Lord), except that they attempt to hide the Christian origin of the supposedly “global” and “universal” dating system.

Since this book is about the formation and the expansion of Roman identity and Roman citizenship, Mary Bard stars by examining, explaining and debunking Rome’s founding myths, most of which seem to have been elaborated between the first century BC and the first century AD. She also analyses more recent Roman founding myths, such as the so-called decisive battle of Actium, and the propaganda of Augustus. Also included is an analysis of what the Roman regimes and societies really were like – the so-called Republic started as an oligarchy and if Roman Senators cum politicians chose, at times, to become “populares”, as Caesar did for instance, it was more about power and self-interest than about genuine interest for the poor. To help with this, the author makes use of recent archaeological findings and excavations in Rome itself, and all of what used to be called (somewhat disparagingly) the other “auxiliary disciplines” such as numismatics (studying old coins) and epigraphy (studying inscriptions).

To conclude, this is a remarkable book written in a very accessible style but nevertheless with few anachronisms and not attempt to “dumb down”, as books targeted towards the so-called “general reader” and written by academic specialists sometimes tend to do. It is also a book that contains numerous and carefully chosen illustrations which are intended to elicit the reader’s curiosity and interest, such as the fake representation of Cicero’s famous appearance in front of the Senate during which he confounded Catiline. Also included are five excellent maps of Rome and its surroundings, including its Empire. Finally, there are no notes but a rather copious section for “further reading” with just about all of the key references included and commented upon for each of the book’s chapters.

There would in fact be much more to mention about this very rich book. By this point, however, I believe that anyone reading this review will have understood how valuable I found it to be and how much I recommend it. Easily worth five stars, and I would have given it more had this been possible.

203 of 217 people found the following review helpful.
Excellent history
By Thomas Reiter
I probably can't add much to the other reviews, but did want to contribute a five-star rating for this excellent book.

I liked several things about this book:
a) the author does a good job of challenging assumptions about what we "know" about Rome, usually pointing to a lack of evidence (or at least unbiased evidence) for this position or that (eg, how bad were Caligula, Nero, et al in fact?).
b) I found the chapters about the formation and early years of Rome particularly interesting.
c) the author makes several interesting points about how many Roman expressions and/or attitudes remain with us today.

While not intended as criticism, the following comments might be helpful to other potential readers when deciding whether this book is for them:
1) As mentioned elsewhere, the book ends about 200 AD, well before the end of the empire.
2) The author relies heavily on letters, etc. by Cicero and Pliny the Younger. While this is not surprising given the relative volume of their correspondence (compared to other known sources), readers who are very familiar with these writers might get less out of the book.
3) While the author returns several times to the topic of the unknown history of women, the poor, etc., ultimately I found little of interest on these topics in the book, probably because lack of source materials means there is little to say.
4) Generally there is little discussion of military topics.

In any event, a very interesting and well-written piece of work about Rome.

154 of 167 people found the following review helpful.
Roman history woven with discussions of primary source material
By Michael Boyajian
Mary Beard in this book opens with Cicero attacking Cataline and ends with the granting of citizenship to all the inhabitants of the Roman Empire and goes back and forth in time from there while discussing the sources of what we know about the Romans. I have five shoeboxes filled with primary source paperbacks that cover the entire swath of Greco Roman history and what Mary Beard has done is taken the texts in those boxes combined with recent archaeological discoveries and in one place at one time written a magna opus on the Romans replacing myth with fact making it all relevant to the present time. SPQR.

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[P961.Ebook] Ebook Download The Third Part of King Henry VI (The New Cambridge Shakespeare) (Pt. 3), by William Shakespeare

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The Third Part of King Henry VI (The New Cambridge Shakespeare) (Pt. 3), by William Shakespeare

A series of outstanding productions by the Royal Shakespeare Company and others have recently demonstrated the theatrical vitality of Shakespeare's plays about the reign of Henry VI. In the Third Part Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also offers more evidence of the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses. Here we watch the savage death of the Duke of York at the hands of Queen Margaret, the moving lament of King Henry as he witnesses the slaughter of the battle of Towton where the Lancastrians were defeated, and finally, Henry's death at the hands of Richard of Gloucester, later King Richard III.

  • Sales Rank: #1937392 in Books
  • Brand: Brand: IndyPublish Co.
  • Published on: 1993-03-26
  • Released on: 1993-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.43" l, .92 pounds
  • Binding: Paperback
  • 246 pages
Features
  • Used Book in Good Condition

About the Author
Michael Hattaway was educated in New Zealand and at Cambridge. He has taught at the Universities of Kent, British Columbia, Massachusetts, and Sheffield. He is the author of Elizabethan Popular Theatre (1982) and Hamlet: The Critics Debate (1987) and is the editor of A Companion to English Renaissance Literature and Culture (2000); with A. R. Braunmuller, of The Cambridge Companion to English Renaissance Drama (1990), and, with Derek Roper and Boika Sokolova, of Shakespeare in the New Europe (1994). For the New Mermaids he has edited Beaumont's The Knight of the Burning Pestle, for the New Cambridge Shakespeare 1-3 Henry VI and As You Like It, and for the Revels Series Jonson's The New Inn.

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0 of 2 people found the following review helpful.
Part 3, And Still Running Strong
By King Dimholt
If you read Part 2, you know that York and his sons Edward and Richard (in quest for the crown) won a battle against King Henry VI, Queen Margaret, and their allies. These defeated parties fled. But one won battle does not mean the war. If York is to be king, he needs some degree of public approval. (King Henry IV in Shakespeare AND history suffered many uprisings due to a flawed claim to the crown!)

In 1.1, York and Henry VI have a verbal conflict. York shows some degree of conscience in that he will let Henry VI reign for life, if Henry declares York or his surviving sons the heir to the crown. (But this peace is short lived. It is not good enough for the queen or her son.)

In her 4 appearances, this is Queen Margaret's strongest one. She takes control of the king's forces, and along with Clifford and others defeats York most brutally. (You may recall Clifford's father was killed in Part 2, and Clifford vowed revenge.) York's sons (despite their father's death) and their ally Warwick continue to fight. In this play Shakespeare shows us the true horrors of war with 'the son that hath killed the father' and 'the father that hath killed his son.' Some realities take the glory out of war.

Edward, Richard, and Warwick are triumphant. Soon afterwards, poor Henry Vi is captured. Despite Edward's role as the villain, Shakespeare gives him some decent treatment. (He was after all Elizabeth's great grandfather.) Richard receives no such treatment. Rather, Shakespeare prepares Richard's brewing evil for the next play ("Richard III").

Moving on, Warwick encourages Edward IV to marry Lady Bona of France and thus secure relations with France. (After all, it would be dangerous i Margaret and the exiled Lancastrians make an ally of France.) Well, Edward falls in love with Elizabeth Woodville, and marries her. To make along story short, Warwick learns about this, and in a fury, forms an alliance with Margaret and vows to take Edward down and restore Henry VI. There were actually several reasons in history why Warwick switched sides, but Shakespeare only has so much he can put in one play.

Moving on, the Lancastrians with the help of France strike back, and Edward IV is defeated. Henry VI is then restored to the throne. We also see the eventual King Henry VII who will put an end to the war. (But not until the next play.)

Sadly, this moment of happiness is short lived, and one by one the tragic heroes of this play are killed. Queen Margaret fought especially well, but she too is defeated. Richard himself murders Henry VI and proudly compares himself to Judas Iscariot. (Talk about Shakespeare terror!) Oxford is captured, but (as in history) he will escape eventually and join Henry VII. The bad guys win in this play, but we can also see that division is brewing. (That will come full force in the next play "Richard III.")

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Jumat, 10 Oktober 2014

[F705.Ebook] Download PDF Moral Status: Obligations to Persons and Other Living Things (Issues in Biomedical Ethics), by Mary Anne Warren

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Moral Status: Obligations to Persons and Other Living Things (Issues in Biomedical Ethics), by Mary Anne Warren

Mary Anne Warren investigates a theoretical question that is at the center of practical and professional ethics: what are the criteria for having moral status? That is, what does it take to be an entity towards which people have moral considerations? Warren argues that no single property will do as a sole criterion, and puts forward seven basic principles as criteria. She then applies these principles to three controversial moral issues: voluntary euthanasia, abortion, and the moral status of animals.

  • Sales Rank: #973540 in Books
  • Color: Green
  • Published on: 2000-04-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x .70" w x 8.40" l, .74 pounds
  • Binding: Paperback
  • 280 pages

Review

"Her theory should prompt discussion and help clarify the concept of moral status. Her multicriterial approach for determining moral status has the potential to assist in the struggle to handle the complex moral issues prevalent today."--Choice


"Her theory should prompt discussion and help clarify the concept of moral status. Her multicriterial approach for determining moral status has the potential to assist in the struggle to handle the complex moral issues prevalent today."--Choice


About the Author
Mary Anne Warren is Professor of Philosophy at San Francisco State University.

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Kamis, 09 Oktober 2014

[W819.Ebook] PDF Ebook Insects of Southern Africa, by Clarke H. Scholtz

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Insects of Southern Africa, by Clarke H. Scholtz

  • Sales Rank: #12215385 in Books
  • Published on: 1985-09
  • Original language: English
  • Dimensions: 11.75" h x 8.75" w x 1.25" l,
  • Binding: Hardcover
  • 502 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
One of the best Entomological Reference books
By A Customer
Insects of southern Africa is a wonderfully structured by two leading Entomologists in South Africa. This book has information of the diversity and ecology of insects and discusses each order in detail, with information on each family found in the subcontinent. Sketches are provided as well as a number of colour plates of the highest quality. The book is easy to read, while still remaining scientific in terminology and descriptions of the insects discussed. A wonderful, informative book and an invaluable addition to any Entomologists' collection, this should definitely go into your basket!

0 of 0 people found the following review helpful.
Taxonomy heaven
By M. Flikweert
This one of a kind book, gives keys at the family level to almost any insect from Southern Africa. Many pictures, some colour plates and excellent text makes this a not to be missed taxonomic reference for the Entomologist.

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Selasa, 07 Oktober 2014

[Q851.Ebook] Download The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western ChristianityFrom Columbia University Pre

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The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western ChristianityFrom Columbia University Pre

In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.

  • Sales Rank: #4393121 in Books
  • Published on: 2011-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.00" w x 5.98" l, 1.00 pounds
  • Binding: Hardcover
  • 376 pages

Review

The essays in this extraordinary volume will remind scholar and layperson how much the Bible Christians use today is the product of the Middle Ages. Not only did the uses of sacred scripture shape its very format and organization, but the liturgy, habits of monastic reading, preaching techniques, dramatization, and even politics molded its contents, the layout of its pages, and its translation as well. With scientific rigor and imagination, The Practice of the Bible in the Middle Ages demonstrates the ways in which even God's word had a human history.

(Herbert L. Kessler, Johns Hopkins University, author of Judaism and Christian Art)

The Practice of the Bible in the Middle Ages is informed by a variety of textual, ritual, and art historical methods, in addition to more traditional exegetical questions. The central tenet of the work, and the fruit of that integration, is that the Bible was never simply or even primarily a text in the Middle Ages. Rather, it was a plastic and multiform body of texts that were meant to be thoroughly incorporated into one's prayer, worship, and daily life, and a variety of means were available to aid that process.

(Louis I. Hamilton, Drew University)

The Practice of the Bible in the Middle Ages is one of those reference books that you must have in your Medieval library.

(Rebecca Graf Bella Online)

Recommended.

(Choice)

stimulating

(Journal of Theological Studies)

Its straightforward style makes it uniquely suitable for teaching. It would form an excellent textbook and should seriously be considered by anyone contemplating teaching an undergraduate course on the Bible in the Middle Ages.

(Medieval Review)

...a valuable and accessible starting-point for the study of the medieval Bible and of its reception.

(Emily Corran Journal of Ecclesiastical History)

The book offers a useful survey for undergraduates, graduate students, and lecturers looking for a way into a dense but critically important topic.

(Owen M. Phelan Religious Studies Review)

The articles provide a clear and contextualised introduction to the topics they cover

(L. Donkin English Historical Review)

About the Author

Susan Boynton is associate professor of historical musicology at Columbia University and author of Shaping a Monastic Identity: Liturgy and the History at the Imperial Abbey of Farfa, 1000-1125.

Diane J. Reilly is associate professor of art history at Indiana University, Bloomington, and author of The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne, and the Saint Vaast Bible.

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8 of 8 people found the following review helpful.
Detailed Look at the Bible During the Middle Ages
By Rebecca Graf
Good reference books can be hard to find. I did not say that they are impossible to find. There are many out there. It is the good ones that are hard to find. This is especially true when you are talking about subjects that few are researching. The Bible in the Middles Ages is not one that is a common topic, but it is an important one nonetheless. The Practice of the Bible in the Middle Ages is one of those reference books that you must have in your Medieval library.

First off, this is not an easy read by the fireside book. This is an academic book. It is deep and rich with information that might not be easily absorbed by a casual reader. You must want to know what is said between the pages and you must be willing to absorb it all.

The Practice of the Bible in the Middles Agesis not a book written by one author. It is a collection of essays/works that cover the topic thoroughly. The chapters include "The Bible and Liturgy", "The Bible and Monasticism", "Biblical Exegesis Through the Twelfth Century", and "The Old French Bible". As you can see from these few chapter titles, this book is meant for the serious student of biblical history and history of the Middle Ages.

I found that I learned quite a bit in what I read. In all honesty, there were some things above my head but the context surrounding the sections helped me comprehend the piece. I discovered a better understanding of Catholic liturgy as well as how the Bible was maintained throughout the centuries. I have read many books that refer to the various liturgical times of the day but never fully understood them. This book gave me the education I needed for just that.

So, what do you get with this book:
- A deeper understanding of the Bible during the Middle Ages
- The background of the Catholic and monastic liturgy
- The history of the Bible as it came to us today
- A glossary
- Different viewpoints from different authors.
- Well placed drawings and pictures of actual pages from ancient Bibles
- A great addition to a library

What do you not get with this book:
- An easy read for someone who is not looking for deep academic reading
- A quick read

This is a great book to have in your own personal library if you have a passion for this topic. It would also make a great gift for those that study biblical history.

Note: This book was provided by the publisher at my request.

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Minggu, 05 Oktober 2014

[F806.Ebook] Download The Craft and Art of Clay: 4th (fourth) edition, by Susan Peterson

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The Craft and Art of Clay: 4th (fourth) edition, by Susan Peterson

  • Sales Rank: #9549973 in Books
  • Published on: 2003-07-01
  • Binding: Paperback

Most helpful customer reviews

22 of 22 people found the following review helpful.
Very Comprehensive Survey of Ceramics Techniques & Materials
By Gadget Fan
This is a large book chock full of information, and provides an in-depth survey of ceramics. There are many photographs about techniques and many illustrations of beautiful artistic ceramics pieces. Also it contains lots of technical information, tables, etc.

Since other reviews have covered the merits of this book quite well, I'll mention a few issues:

First, there are lots of sample photos of different clay bodies under different firings and different glaze colors and combinations, etc., but they are all *way too small* to really see the characteristics of each sample. Also sometimes there is a series of photos, e.g. throwing a pot, building a kiln, and when they are all arranged on the page, each one is too small (and many are b&w, from previous editions?) Otherwise the book is very well illustrated with a wide variety of work.

The glaze discussion does not cover the properties of glaze bases and coloring oxides much at all, which is something I would expect in a book of this comprehensiveness. It does spent some time on commercial fritted stains and Mayco glazes, which other books don't, and can be useful to some, especially for low-temp work. But if you really want to get into glazes, this is not the book.

For many advanced topics, she has just a mention that leaves me hungry for more. E.g. lusters she briefly mentions using and making, but Rhodes has a much more thorough discussion of making lusters. Paperclay is mentioned briefly but not enough to really tell me how to make it or use it. For many of the topics in the book, more detailed discussions are possible and likely available elsewhere. However she has assembled lots of brief mentions of different and experimental work that you might not encounter in other ceramics survey books, so it is useful for knowing what else I want to look into.

[This review pertains to the 4th edition, 2003.]

0 of 0 people found the following review helpful.
Five Stars
By Mark Virgil Tablo
very good for my pottery class

0 of 0 people found the following review helpful.
Great book for learning pottery
By Deborah Dyson
I am taking a pottery class and this book is the required text for the class. I was very pleased with the price of the text. Thank you, I am enjoying every page.

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